I will open this blog by saying that I am ecstatic that this is my last blog. I would also like to say that as much as I feel that writing will not be as prominent in my future engineering career, I have to say that the only saving grace for me in this AP Lit class was how much I enjoyed Mrs. Clinch's style of teaching. Had it not been for that, I would have been institutionalized for a mental condition pertaining to all the work we had to do.
In terms of the changes that I would make to this course, I feel that it is my civic duty as a high school student to say that the course load is astronomical. I know that we had an adequate amount of work in order to be prepared for the exam but I still think that this AP class required more work than all of my other AP classes combined.
Specifically, I feel that the Grendel notebook was a lot of work for minimum output. I found the great works charts to be much more helpful in reviewing for the exam as well as helping the specifics of the novel stick in my brain. While the poetry notebook was helpful, I feel that in terms of the specific national exam that we took, the information I gained from it was not really applicable to the questions we had. Other than the specific names and format of the sonnets, I really didn't apply the majority of what I learned while doing my poetry notebook.
Overall I felt that I enjoyed this class because it gave me an opportunity to read classic novels and plays that I'm sure are socially required to know. I also enjoyed the skills that I acquired in going deeper into the novel. Never before have I been able to find the symbols and allusions in books as I have been able to after this class.
Rantings About Literature
Wednesday, May 15, 2013
Monday, April 29, 2013
Blog #23
I am proud to say that I
am writing this most recent blog post on the fact that I actually enjoy a
required reading assignment in AP Lit class. I can proudly say that “The
Importance of Being Earnest” by Oscar Wilde is quickly becoming one of my favorite
plays thus far. The play is set during one of my favorite periods, the Victorian
period, a time where it was only right and proper to do everything a certain
way and to obey every single social and politically correct rule or else you
were perfectly banished forever. The juxtaposition of this extremely strict and
unforgiving society with the humor created in the dialogue and actions of the
characters is positively hilarious. I find it so amusing that these characters
in this play can pay attention to such detail as what kind of food is
acceptable to serve during a visit, yet the same characters do not understand
the absurdity of writing to the Scotland Yard about a missing cigarette case!
On another level to
this situational irony that results in hilarity, underneath the jokes and the
puns is the deeper context of what this play is actually saying about society
during this time period. The insanity of blaming your servant for consuming the
eight bottles of champagne that you drank and the whole concept of Bunburrying
are all tiny pieces of the larger puzzle. What all of these situations are
suggesting is that society’s rules and regulations and judgment are so
air-tight and stuffy that it forces a person to take on another personality
just to escape. Algernon feels that it is completely necessary to create this
fake “ill friend” so that he may escape the drab parties that his aunt throws
and that he is forced to attend. The irony in this overall situation is that
this society is one to focus on the fact that everyone must do what is morally
right in society and in order to ensure that everyone does so they have set in
place all of these rules and societal-norms. The irony being that the sheer
amount and strictness of these rules is what forces people like Algernon and
Jack/Earnest to create a deceitful double life just to cope with society. In a
sense this society is self-destructing by attempting to enforce order and
properness through strong societal norms however the only thing is succeeds in
doing is forcing members to break these norms just so that they can be sane
enough to be accept4ed by the members abiding by the original norms in the
first place.
The whole matter is
very deep and circular if one thinks about it too hard, but that is another
reason why I am coming to love this play so much. It is much like Emma
in that is seems trivial on the surface but has a much deeper meaning. I enjoy
the slapstick comedy and the hidden jokes within this play and cannot wait to
see how the rest of it turns out. Will society win, or will Bunburying win?
Tuesday, April 16, 2013
Blog #22
I began reading Emma by Jane Austin with the mental
set that this book was going to focus around mundane activities that were
commonplace in the regency era. I thought the majority of the book would center
on such trivial activities as walks in the garden and taking tea. I was
accepting of this because I have always found the regency era to be
fascinating, nevertheless I was not necessarily looking forward to reading 400
pages worth of information about it. On one level I was correct about what this
novel contained, however on another level I completely underestimated the
potential complexity of this novel. The research that we have done in class
regarding the different theories about what the novel is truly about have been
fascinating to me. Such examples as the entire book being about the repressed
sexual feelings of the characters during this time period, or the fact that Mr.
Woodhouse is the major villain in the novel, and even that the archetypal ending
was not for the sake of the readers but rather to show the never-ending plastic
perfection of the micro chasm of society that this book dissects.
Looking back on major passages in the novel I have come to
discover evidence here and there supporting each of these “theories” regarding
the underlying theme and overall meaning of this novel. For example, in the
first volume when Mrs. Bates and Miss Smith were over for dinner Mr. Woodhouse
goes on a rant regarding the what his guests should eat and how much. The way
in which this scene is worded is very subtly sexual. The description of a “very
soft” egg and how Mrs. Bates should “not be afraid” of them. Granted, I came to
this conclusion after hearing of this particular lens that the novel may be
written in however I do agree that during this time period especially it is a strong
possibility.
Another theory that I found particularly interesting and
certainly unexpected was that Mr. Woodhouse is the main “blocking” or villainous
figure and Mr. Nightly is more the father-figure to Emma. This theory agreed with
me the most out of all of them. I found that it was easier to be supported by
the novel and by looking back through the novel and the most important scenes a
second time I was able to identify with this. It is evident that throughout the
novel Mr. Woodhouse is continuously causing trouble and inconvenience to
everyone around him. It is as if if Mr. Woodhouse cannot have it then no one
can. Since Mr. Woodhouse does not have a wife anymore, he does not support marriage
and believe only bad can come from it. Since Mr. Woodhouse cannot enjoy such
delicacies as cake, no one else should be able to enjoy it. This pattern
reoccurs throughout the novel and what is truly fascinating about it is the
fact that Jane Austin gives the reader a glimpse of this side of Mr. Woodhouse
in very small and very diluted sections. It is all very subtle which again
reflects how, during this time, everything major was shown through some sort of
subtle action.
Tuesday, March 26, 2013
Blog #21
After recently finishing Volume II of Emma by Jane Austin, I decided to dedicate this blog to my thoughts of the novel thus far. The first volume of the novel was interesting mostly because of the fact that it was set in the regency era, a time period that I find personally intriguing. However, once the initial excitement about the setting of the book and the lavish descriptions of the settings and parties involved within I began to grow bored of the slow moving pace that the book followed.
I guess I should not have been so surprised that a novel written during such a leisurely time period was to include a pace that reflected the every-day activities of the people within the book; however I was pleasantly surprised with volume two. Volume two still followed the same leisurely pace as that of volume one but I came to understand that with each detailed description of an engagement or a dance I came to understand that the description contained an underlying meaning that added to the overall feeling or even in some case humor to each situation. For example, the description of the initial meeting and relationship between Emma and Frank Churchill, the encounter between the two is surrounded by the extensive description of elements within their environment that at first glance may be interpreted as superfluous and not necessary of such vast description.
However, at a closer examination these descriptions can be beneficial in determine the longevity of the relationship between the two and perhaps even the specific views of such particular characters as Emma and her true feelings behind the relationship between her and Frank Churchill. A particular example, would be when Frank and Emma meet. Their initial relationship is fueled by the idea that Mr. and Mrs. Weston have decided that a match between the two would be extremely beneficial for both parties. This blatant observation is beneficial to this interpretation of the relationship, but much subtler actions such as when Frank Churchill leaves for London just to get a haircut.
When I first read this I was astonished at the superficiality of such an action, who would travel hundreds of miles, especially at a time when a horse drawn carriage was the primary mode of transportation. However, the tools I have learned from this fabulous AP Literature class in which I have learned to look deeper into the meaning of the text allowed me to draw a different conclusion. Within this situation, Frank Churchill had met with Jane through subsequent callings on her; the result of these callings is that Emma has been won-over by the charm of Frank.
His abrupt departure could be viewed as a smaller version of the departure of other important elements in Emma’s life such as the death of her mother and the departure of her childhood governess. The return of Frank can be representative of the future of Emma’s personal relationships in which she is rewarded with the longevity of a relationship rather than the abruptness of one.
Monday, March 11, 2013
Blog #20
Blog #20
I would like to begin this blog with the statement that while I do enjoy the book, Emma, I feel that it is composed if a lot of unnecessary fluff. This feeling is supported by the fact that the topic written about in this book is based off of the life of a Victorian-aged community in the country side. The most exciting things going on during this time were such things as "bridge tables" and "dinner parties", granted when one's life revolves around such mundane activities it is reasonable to say that a book written about them wouldn't be very interesting on the surface.
That being said, I have begun to realize that the fundamental form of communication and social construct within this novel is based off if this idea of "visits". It seems as if the entirety of the society is embedded in either the act of "visiting" or talking about who visited who and when and where. I readily accept the claim that this idea seems so novel to me because I unfortunately live in the age when text messages replace love letters and spotify playlists replace midnight serenades by the man of your dreams. Perhaps this is why i am having such a hard time grasping the consequence or severity of some of the issues presented within this novel. It behooves me to think that one person should be forbidden to marry another person because someone does not approve, or that one must have scheduled and chaperoned visits coordinated by an appropriate mutual friend before any sort of marriage proposal can be drawn up. Don't get me wrong, I would absolutely love to live in the Victorian age. Corsets, dresses, tea, and dashing young men in coattails have been a part of every little girl's dreams since she heard her first fairy-tale.
I have called to attention all of these things for my own personal purpose of discovering if there perhaps is a deeper meaning behind this book. Did Jane Austin write this book with the underlying notion of commentating on the state of the current political party? Are there gender or racial digs hidden underneath the description of Emma's dress? I do not seem to think so based on my reading of the first volume of the book, but in a way i am hoping that there is something more. I would rather this not be a "gossip girl" of the 18th century.
I would like to begin this blog with the statement that while I do enjoy the book, Emma, I feel that it is composed if a lot of unnecessary fluff. This feeling is supported by the fact that the topic written about in this book is based off of the life of a Victorian-aged community in the country side. The most exciting things going on during this time were such things as "bridge tables" and "dinner parties", granted when one's life revolves around such mundane activities it is reasonable to say that a book written about them wouldn't be very interesting on the surface.
That being said, I have begun to realize that the fundamental form of communication and social construct within this novel is based off if this idea of "visits". It seems as if the entirety of the society is embedded in either the act of "visiting" or talking about who visited who and when and where. I readily accept the claim that this idea seems so novel to me because I unfortunately live in the age when text messages replace love letters and spotify playlists replace midnight serenades by the man of your dreams. Perhaps this is why i am having such a hard time grasping the consequence or severity of some of the issues presented within this novel. It behooves me to think that one person should be forbidden to marry another person because someone does not approve, or that one must have scheduled and chaperoned visits coordinated by an appropriate mutual friend before any sort of marriage proposal can be drawn up. Don't get me wrong, I would absolutely love to live in the Victorian age. Corsets, dresses, tea, and dashing young men in coattails have been a part of every little girl's dreams since she heard her first fairy-tale.
I have called to attention all of these things for my own personal purpose of discovering if there perhaps is a deeper meaning behind this book. Did Jane Austin write this book with the underlying notion of commentating on the state of the current political party? Are there gender or racial digs hidden underneath the description of Emma's dress? I do not seem to think so based on my reading of the first volume of the book, but in a way i am hoping that there is something more. I would rather this not be a "gossip girl" of the 18th century.
Monday, March 4, 2013
Blog #19
Upon reading the first few pages of Emma, I realized that
this novel is not going to be the “old fashioned gossip girl” novel that I was
hoping it was going to be. The sentence structure and word usage are so rich
that it takes a long while to be able to read a paragraph once and fully
understand it. In addition to the atypical structure of this novel, I also have
come to realize that the setting of this novel will also take some
getting-used-to. Now, I must admit that I have read my fair share of historical
fiction novels, some of my favorites being Frankenstein by Mary Shelley,
Jane Eyre by Charlotte Bronte, and The Lady Elizabeth by Alison
Weir. In fact, historical fiction in the Victorian time period has become one
of my favorite genres to read. Something about corsets and huge dresses and
fabulous balls makes reading about this time period so interesting. Of course
in the AP Lit spirit, I decided to do a little background on Emma to help with
the reading of the beginning of the novel.
Emma
was published in 1816 and is set in the early Victorian time period. During
this time, a woman’s breeding was what defined her. It was as much a part of
her identification as were her physical characteristics. The vast importance of
this aspect of life resulted in an extremely exaggerated focus on marriage. The
basis of a “good” marriage prospect is based majorly on good breeding and less so
on affection and compatibility. These main points of society in this time
period are what make the book, so interesting. Emma decides that she is inherently
gifted with the ability to play “cupid” and be a professional matchmaker.
However, my prognosis is that her talents will be ill-received in regards to
the fact that in that time period, marriage was not only a ceremony to join two
people together and make them happy, but it was also a business deal and more
often than not it was not just two human’s being joined together for the rest of
their life but rather two families or two enterprises or two empires being
joined together for the rest of their lives.
In
reflecting on this aspect, this is where I believe the majority of the conflict
between characters will come from. From my preliminary reading as well as Mrs.
Clinch’s lectures, I have gathered that Emma is a very controlling and a very
demanding person. She is someone who always wants to have it her way. Also, the
fact that she is dealing with something as important (during this time) as marriage,
she is going to definitely come across problems within the society.
Sunday, February 17, 2013
Blog #18
This
week I would like to discuss the reason behind Hamlet’s oh-so-obvious clinical
depression. The theme of suicide and questioning the meaning of life has been
present throughout the play beginning with Hamlet’s very first soliloquy. The
theme is so reoccurring that it is not a question of if Hamlet is depressed,
but why.
The
theory that I came up with essentially revolves around Hamlet’s “mommy issues”
Hamlet has had this image of what true love is his entire life through the many
observations that he has had of his father and mother together. Hamlet
remembers these times of love fondly saying that his mother “would hang on him
as if increase of appetite had grown” (1.2.143-144) but then this image of
perfection in marriage is completely shattered. His father is murdered by his
uncle and then Hamlet’s mother goes on to marry her own brother-in-law not two
months after she is widowed! The allusion of true love that Hamlet clung to was
completely destroyed in a matter of weeks and now he is left with nothing.
Put yourself
in Hamlet’s shoes. Your father had just been murdered by your uncle and then
your mother proceeds to marry said uncle. If that is not bad enough, the woman
that you love (made love to) suddenly cuts you out of your life and you have no
earthly idea why. These things all occurring in such quick succession would
make anyone suicidal!
What I found
interesting about all of these issues and obstacles that Hamlet is running into
is that they all involve women. From an outsider perspective Hamlet’s life has
been made increasingly difficult by the presence of women. This is evident
throughout the play, “frailty, thy name is woman” (1.2.146), “most pernicious
woman!” (1.5.105), “if thou dost marry, I’ll give thee this plague for thy
dowry” (3.1.134-135). These are merely a few of the rude and underhanded
comments made by hamlet in regards to women. The woman in Hamlet’s life who he
was most close to ended up betraying his father in the worst way, I can’t help but
to think that Claudius could have killed King Hamlet not only for his throne
but also for the purpose of being with Queen Gertrude.
This
idea could have also crossed through Hamlet’s mind, giving him an even stronger
motive for murder. Why not kill two birds with one stone? Avenge the murder of
his father as well as the disgrace of his mother through the slaughter of a
single man.
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